Sons of Kemet - Black to the Future Tour at Underground Arts
Monday, March 28, 2022
PLEASE NOTE: Attendees must provide print or digital proof of vaccination to attend this event. Masks will also be required inside the venue when not eating and drinking. For more information on our health & safety policy, click HERE
About Sons of Kemet
March 30, 2021 (New York) – Saxophonist, composer, philosopher and writer Shabaka Hutchings returns with a brand-new album from his Mercury Prize nominated outfit Sons of Kemet. Black To The Future, the band’s fourth LP and second on Impulse! Records, is due out May 14. This is the band’s most dynamic project yet, featuring prominent vocalists including Angel Bat Dawid, poets Moor Mother and Joshua Idehen, and grime artist D Double E. The first single “Hustle” features Kojey Radical with backing vocals from singer Lianne La Havas and is out today with a dance-inspired metaphorical video directed by Ashleigh Jadee.
Listen to “Hustle” and pre-order Black To The Future here: https://SonsOfKemet.lnk.to/BlackToTheFuture
Watch the music video for “Hustle,” directed by Ashleigh Jadee https://SonsOfKemet.lnk.to/HustleVideo
The last time Shabaka Hutchings released a record, it was March 13, 2020 – on the eve of the pandemic – with Shabaka & The Ancestors’ We Are Sent Here By History. The “momentous” (NPR Music) album centered around themes of confronting the destruction of humanity as we know it. The prescient theme of this record was not lost on those who heard it. Shabaka Hutchings is consistently in tune with – if not in front of – the cultural themes swirling in our world: past, present and future. He unearths forgotten mythologies, unlocks sounds of the past, and presents a thesis for the future. That continues with Black To The Future, a politically poignant and musically rich album, which feels destined to be placed on the shelf next to Archie Shepp’s Attica Blues or John Coltrane’s Alabama. Musically, Black To The Future is a bigger affair than previous Sons of Kemet records. The core group – Theon Cross (tuba), Edward Wakili-Hick (percussion), Tom Skinner (percussion) – is enhanced by guests such as Jazz warrior UK saxophonist Steve Williamson, Chicago bandleader/vocalist Angel Bat Dawid, American poet Moor Mother, legendary British Grime MC D Double E, British artist/rapper/spoken word musical artist Kojey Radical, and more. Shabaka Hutchings also adds complex layers of woodwind instrumentation throughout the record, which he did during lockdown. This album begins and ends with powerful lyrical and musical statements of rage and frustration, expressed outwardly in the wake of George Floyd’s death and the subsequent BLM protests. The album flows inwards from the start and finish to deeper, inner journeys – looking to forgotten cosmologies and searching for new ways of existing. Shabaka Hutchings says, ‘Black to the Future is a sonic poem for the invocation of power, remembrance and healing. It depicts a movement to redefine and reaffirm what it means to strive for black power.” “The meaning is not universal and the cultural context of the listener will shape their understanding,” he continues. “Yet in the end, the overarching message remains the same: For humanity to progress we must consider what it means to be Black to the Future.” Lead single “Hustle” is a propulsive, urgent song with the poetic, chanting lyrics of Kojey Radical. He speaks: “Why ain’t no one tell me peace of mind was pricey /I could dance with the devil but that’s unlikely / Might go broke but that’s unlike me / I was born from the mud with the hustle inside me.” About the accompanying music video, also released today, Hutchings says: “The dancers represent the duality present within any struggle to transcend internal limitations,” unfolds Shabaka. “As the video progresses, we see that it’s only once the differing elements of the self are reconciled and act in unison that rebirth (symbolized by the immersion in water) can occur.” For Black To The Future, Shabaka sequenced and named each track in a specific order so that the song titles reflect a single poetic statement to which a depth of symbolic meaning can be intuited in combination with the music/sonic information. The statement reads: “Field negus - pick up your burning cross - think of home - hustle - for the culture - to never forget the source - In remembrance of those fallen - Let the circle be unbroken - Envision yourself levitating - Throughout the madness, stay strong - Black.”
About Shabaka Hutchings: The British-born Barbados-raised saxophonist and clarinetist is the centrifugal force in three critically-acclaimed bands: Sons of Kemet, The Comet Is Coming, and the South African-centered Shabaka and the Ancestors, who released their second album We Are Sent Here By History in March 2020. He signed to Impulse! in 2018 after a six-year stretch rising to prominence with international sold-out shows that dissolved old genre boundaries and attracted eminent attention. Along the way he picked up accolades including two Mercury Prize nominations, a MOBO and a 2020 inclusion as one of Downbeat’s “Musicians Shaping The Future Of Jazz.” His band The Comet Is Coming created a memorable NPR Tiny Desk show. There has been endless coverage from The New Yorker to Afropunk. Sons of Kemet appeared in The New York Times Magazines “Songs That Matter Right Now” and Pitchfork’s “Best Songs of the 2010s” and were included in the soundtrack to groundbreaking visual media including Beyoncé’s Homecoming on Netflix and Michaela Coel’s award-winning BBC/HBO show I May Destroy You. Comet, Kemet and The Ancestors – as well as numerous ad hoc ensembles – are separated by personnel and sound palette but the records naturally talk to each other. He writes the music for Sons of Kemet and leads Shabaka and the Ancestors, whilst the music for The Comet is Coming is developed from within improvised jam sessions. It’s a rich set of overlapping musical worlds in which music is written whenever the opportunity rises. Pre-pandemic, most of these opportunities were on the road: in 2019 Hutchings performed around 100 gigs over ten months with Comet plus another 40 shows solo or in other ensembles.
Sons of Kemet