Get your tickets today for Jamie Lin Wilson's Storytime

Jamie's guest is Jason Eady

Doors at 7:00pm Show at 8:00pm

TICKETS: Advance GA $15.00/ Day Of Show GA $18.00 / Reserved Booths $70.00 (admission not included)

MOSTLY SEATED SHOW but NO Seating GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.

PURCHASE OF BOOTH DOES NOT INCLUDE ADMITTANCE TO SHOW - ONLY RESERVES THE BOOTH (Booths seat 4-6 people) You and your party will all still need a General Admission ticket to get in to the show.

Ages 18 and up - All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only.

Tickets for Jamie Lin Wilson's Storytime go fast so get yours today!

Jamie Lin Wilson - 

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“It’s a weird road we’re on right now––I guess it always has been,” Jamie Lin Wilson says. She’s sitting on her porch in D’Hanis, a tiny town on the Seco Creek in South Texas, not far from San Antonio. She laughs a little, then adds, “But nobody’s life is the same. There is no blueprint.”  

Thank goodness for all the lonely paths Jamie’s had to find that no one else has taken. With a voice that slides in and out of notes with easy grace, a sly sense of humor, and lyrics that highlight the details most of us miss, Jamie creates stark vignettes: intimate conversations between friends who might be lovers and lovers who can’t be friends; kids hopping from stone to stone in a graveyard; the way rolling clouds can signal a new season. She lives and works in that sweet spot where folk and country meet––Guy Clark territory.  

Jason Eady - 

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The eighth full-length from singer/songwriter Jason Eady, To The Passage Of Time first took shape in a frenetic burst of creativity back in the doldrums of quarantine. Over the course of a three-day period last August, the Fort Worth, Texas-based musician wrote more than half of the album, locking himself in his bedroom and emerging only when he felt completely burnt out. “I went in thinking I was going to write just one song—but then the songs kept coming, and I didn’t want to break the spell,” he recalls. “I’d go to sleep with the guitar by the bed, pick it back up when I woke up the next morning, and do it all again. I’d never really experienced anything like that before.”