There are no tickets currently available.

Event Details

Rather than simply roll up to those fabled crossroads of blues lore, JD Simo builds abridge by hand. The Chicago born and Nashville based singer, songwriter, guitarist, andproducerconnects the missing link between Motown and Woodstock as he fuses fluid and fieryfretwork with vital and vulnerable vocals. JD has been acclaimed byRolling Stone, NPR,Guitar Player, Relix, No Depression, and more…. Logging hundreds of gigs annually,he has collaborated with Jack White, Tommy Emmanuel,Luther Dickinson andBlackberry Smoke among others. Not to mention, he graced the bills of festivals,including Bonnaroo, Warren Haynes Christmas Jam, and Mountain Jam. Phil Lesh,iconic co-founder of The Grateful Dead, invited him to join Phil Lesh andFriends. Meanwhile, JD’s 2019 solo album, Off At 11, incited fan fervor and tastemakerpraise. Billboard claimed the record “channels forbearers such as Jimi Hendrix,Santana and the Allman Brothers Band,” and Guitar World dubbed it, “another steptoward the 34-year-oldChicago native establishing himself as a contemporary bluesrock giant.”Throughout 2019, he maximized rare time off to write what would become JD Simo.Returning home after 150 gigs, he worked out of a “funky little eight-track studio” in hishouse. When it came time to record, he sought out a co-producer for the first time.Enlisting Eddie Spear behind the board, he recorded the album to tape in just threedays during January 2020. And then, the pandemic hit. “Like everyone, I wasunprepared in how to deal with this new “normal” so I turned to the thing that alwayshelps me: music,” he elaborates, “I just started playing, opening up my socials andjamming and from that, Mind Control was born.” Mind Control, which is being releasedon November 5, is JD’s most unique, original and rawest effort to date. During lockdownin 2020 along with playing live weekly on his socials, he began cutting tracks in hismakeshift studio joined by longtime collaborator Adam Abrashoff on drums and theaddition of his good friend, bassist-producer-engineer Adam Bednarik (Justin TownesEarle), where they mused and fused a proverbial “stew” of shared musical influences.The songs are a mix of the hill country trance blues of Junior Kimbrough, RL Burnsideand Asie Payton, the hypnotic Afro Beat of Fela Kuti and Tony Allen and thepsychedelic warps of Captain Beefheart, Funkadelic, and Jimi Hendrix. In that swirlingmix is also some old school blues of John Lee Hooker, Earl Hooker and LightninHopkins and the spice as well as the raw fuzzy rock of The Stooges and Nirvana. “It isa lot!” laughs JD, “but the idea of the lockdown and after fighting Covid, it just all camenaturally from us. The feeling in the record is hope and mixing it up when your optionsjustnarrow. We literally did what we know how to do to cope and that is what I am mostproud of on Mind Control.” Mind Control is an artists record, the product of like mindedmusicians huddled in a humble setting, making music to make them feel good. JDsays, “It is stark and revealing and the product of us using the creative process fortherapy and the fun of playing music. I hope that what resonates for people is of coursethe music but also the vibe of the record which is a positive theme of growth, self helpand also struggles with addiction and mental health baked inside a haunting, low down musical landscape. It’s raw, funky and real. ”JD will tour beginning in late Septemberwith GA-20 hitting all the cities he’s missed during this lockdown.

Blues music is revered for its timelessness. The best blues – no matter how old – sounds as fresh and visceral today as it did when first recorded. The high-energy electric blues trio GA-20 – guitarist Matt Stubbs, guitarist/vocalist Pat Faherty, and drummer Tim Carman – know this well. Since first forming in 2018, GA-20 has drawn inspiration for their primal, original music from late 1950s/early 1960s blues, R&B and rock ‘n’ roll. They use rare and vintage gear (including at times the famed Gibson GA-20 amplifier for which the band is named), creating powerfully raw, driving music that is at once traditional and refreshingly modern. The band’s dynamic self-penned songs sound and feel as fresh and real as the old blues they love and perform, including songs by Otis Rush, J.B. Lenoir, Howlin’ Wolf, Junior Wells and especially their favorite, Hound Dog Taylor. According to Stubbs, “Not enough people know just how cool Hound Dog Taylor was.” 

Legendary six-fingered Chicago bluesman Theodore Roosevelt “Hound Dog” Taylor always knew how he wanted to be remembered, declaring, “When I die they’ll say, ‘he couldn’t play shit, but he sure made it sound good!’” His first full length recording in 1971 was also the first album on now world-famous Alligator Records, Hound Dog Taylor & The HouseRockers. In fact, label president Bruce Iglauer founded Alligator for the sole purpose of recording and releasing that album. Fifty years later, Hound Dog Taylor & The HouseRockers is considered a classic of the genre, and Alligator boasts a catalog of over 350 blues and roots rock releases. With Taylor on wild slide guitar, Brewer Phillips picking out the bass notes on his beat-up Telecaster guitar, and Ted Harvey driving the beat at breakneck speed, the band – playing their second-hand instruments through third-hand amps – made a loud, fast and joyful noise. Famed critic Robert Christgau referred to them as “the Ramones of the blues.” At the time, Iglauer figured, “If I love this band and this music so much, everyone else will love them too.”

Now, Colemine Records – working in partnership with Alligator Records – will release GA-20’s new full-length album, Try  It…You Might Like It! GA-20 Does Hound Dog Taylor, featuring 10 songs written or performed by the Chicago blues legend. From the fiery first single and album opener She’s Gone to the blistering Sadie to the all-time Hound Dog classic Give Me Back My Wig, GA-20 deliver one electrifying track after another. According to Stubbs, “We feel a strong connection to the unique setup of two guitars and drums with no bass, and we all have a massive appreciation of Hound Dog’s raw and no-frills sound. It’s essentially what we try to do as a band.”

With 2021 marking the 50th anniversary of both Alligator Records and Hound Dog Taylor & The HouseRockers, the timing for GA-20 to record these songs seemed perfect. With the pandemic shutdown and tour dates postponed, the band was ready for something new. As fate would have it, Iglauer, not knowing the band was under exclusive contract, approached Stubbs about a potential project with Alligator. Since GA-20 was already committed to Colemine, the idea to work together with Alligator on this album was born. Alligator continues its 50th anniversary celebration by working with GA-20 and Colemine Records to present a new album of Hound Dog Taylor’s music, while the band gives their fans some of the most raw and honest performances imaginable with Try It…You Might Like It! 

According to Colemine Records owner Terry Cole, Try It…You Might Like It! is a natural fit for both labels. “Teaming up with Alligator for this release feels like a perfect pairing! Alligator was created to give Hound Dog Taylor a home, and over the last 50 years, the label has established itself as a perennial winner in the blues world. With GA-20, we're really excited about applying some of the old-school production techniques found on most of our soul records to the blues genre. Using just a few mics and recording live, all together in one room, is really what makes so many classic blues, soul, and R&B records so special!"

Alligator’s Iglauer is thrilled to be working with the band. “GA-20 absolutely glory in the rough-edged, unvarnished Chicago blues of Hound Dog Taylor & The HouseRockers. GA-20 are among the very few artists who have captured the band’s raw essence. Hound Dog would be proud that they are delivering his music so well. They rock the house!”

Heading into the recording session for Try It…You Might Like It!, the plan was to keep everything as true to the way Hound Dog recorded as possible. Stubbs spoke to Iglauer on several occasions to get info on those early sessions and for the details of the guitars and amps that Hound Dog and Brewer used. Stubbs explains, “Pat and I searched out four 1960’s Teisco/Kingston guitars to find the one with the closest tone to Hound Dog’s original, and Pat used a vintage 1960’s Silvertone amp – the same as Hound Dog. I used a vintage Telecaster and a vintage Fender amp like Brewer Phillips played.” They tracked the songs in under two days, live, all in one room, and in no more than three takes per song, just as Hound Dog Taylor & The HouseRockers did. Stubbs continues, “Our essential goal was to capture the spirit and vibe of Hound Dog Taylor & The HouseRockers and (Hound Dog’s second album) Natural Boogie, and I believe we did just that.” 

According to Stubbs, “Some music is more than just music, it comes with a feeling. To me, Hound Dog was raw and visceral, and all of these things that really appeal to me and that I try to bring to my own approach on guitar. It was an exciting challenge to try to embody that on this record, in playing and production.” Guitarist Faherty agrees, saying, “Hound Dog is everything I want to be in blues. No one else today even comes close.” And Carman still can’t get enough of that drum sound. “In my opinion, Ted Harvey is one of the most underrated and underappreciated drummers of all time. I learned a lot from studying Harvey’s playing, especially the way he interacted with Brewer and Hound Dog while still maintaining a driving groove. His ride cymbal playing was one of a kind.” 

Matt Stubbs is a 12-year veteran (and still a member) of blues master Charlie Musselwhite’s touring band. He’s performed with James Cotton and John Hammond, among many others. Faherty played rock and metal guitar until he was bitten by the blues bug. The two met in Boston, and their mutual love of traditional electric blues, R&B, and rock ‘n’ roll led them to write, perform and eventually record their modern vision of this life-altering music. Upon forming in 2018, GA-20 quickly began to draw a following, and the band soon signed with acclaimed soul/R&B label Colemine Records, releasing their debut, Lonely Soul, in 2019 to widespread critical and popular acclaim. The album premiered in the #2 position on the Billboard Blues Chart. Their EP Live Vol. 1 seemingly came out of nowhere to debut at #1 a year later. declared, “This is the kind of music that travels through time while taking from the era where it was born and turning it into something fresh. Dirty and raw…timeless and modern.” 

GA-20 hit the road hard, performing live at every opportunity, earning new fans at every club, concert hall and festival they played from coast to coast. Now with Try  It…You Might Like It! GA-20 Does Hound Dog Taylor, GA-20 unleashes this timeless, down and dirty music, making it breathe and live as forcefully today as it did back when Hound Dog Taylor was spitting fire. Alligator’s Iglauer says, “No one made a more wonderfully glorious racket than Hound Dog, Brewer Phillips and Ted Harvey.” GA-20 certainly comes close, as the racket made by Matt Stubbs, Pat Faherty and Tim Carman is also pretty damn glorious. “Ultimately,” says Stubbs, “we think Hound Dog fans and blues fans will love this record, and we’re proud to bring his sound to a new audience.”- Bio by Marc Lipkin

Your email has been sent

There was an error sending your message. Please verify the addresses and try again. Note: HTML is not allowed in the subject/message.

Event Location


Grant's Lounge

560 Poplar St, Macon, GA, 31201

Show Map

View 560 Poplar St in a larger map


JD Simo / GA-20