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Turns out that a big mess can actually be a good thing. In the case of Grouplove’s third studio
Big Mess
refers not only to a lyric in the buoyant lead single “Welcome To Your Life,” but
also to the situation
in which they found themselves when they got off the road following 2013’s
Spreading Rumours
. For the first time since releasing their breakthrough 2011 debut,
Trust A Happy Song
, Grouplove were back in Los Angeles indefinitely, with a lot of catchi
ng up
to do.
“We got off tour and realized we had been completely neglecting normal life,” says singer
and keyboard player Hannah Hooper. “We were out of touch with friends and family, our house
looked like we were hoarders
it was like an explosion of s
o much at once.”
In the midst of it all, Hooper and Grouplove singer/guitarist Christian Zucconi, who have been a
couple since the band’s inception, found out they were going to have a baby. Like the true pair
of artists they are, Zucconi and Hooper view
ed the chaos as an opportunity to be creative. “We
felt so out of control. Instead of trying to deal with the mess, we just started writing,” Hooper
explains. “We had so many songs come out of that, and
Big Mess
is a collection of our
The alb
um’s opening track, “Welcome To Your Life,” was one of close to forty songs that began
in that messy moment. Hooper recorded the hook
“we’re back in business, you’re such a big
mess, and I love you”
on her laptop, but the rest of the tune took awhile
to come into focus.
Months later, on the same day that Hooper went into labor, the joyfully defiant chorus came to
Rabin in the shower, like a bolt from the blue. Says Rabin: “I showed them the idea and when
we put those two parts together, they fit perfe
ctly, both lyrically and melodically. It almost felt a
bit fated.”
There has been the tinge of fate to Grouplove since the beginning, when its five original
members met at an arts colony on the island of Crete and formed such an immediately
comfortable b
both personally and musically
that they started the band upon their return
to LA in 2010. Though Sean Gadd left Grouplove amicably in 2014, new bassist Daniel Gleason
says he connected to the familial spirit of the band right away. Describing the
vibe in the studio
during sessions for
Big Mess
, Gleason says: “I
t was really open and honest. I've never been a
part of an environment where everyone was willing to be so selfless if it made the song better.
The lack of pride or ego allows the best ideas
to drift to the top, and that's rare, but I think that's
what makes the band what it is.”
While those core qualities remain, Grouplove continues to mature on
Big Mess
, which
demonstrates their ever sharper instincts as songwriters and their growing abil
ity to make a
bright, bold, genre
defying sound that is entirely their own. The band members say they feel
most inspired when they’re collaborating on new ideas with a completely open mind. “What
influences us the most is each other,” says Zucconi. “Even a
song you
come out
a certain way
be completely reimagined by someone like Andrew or Ryan or Dan, because
their tastes and inclinations are so different.”
“It’s always been sort of a rule for us is that we want the writing proc
ess and studio process to
be spontaneous,” says drummer Ryan Rabin, who has been Grouplove’s in
house producer
since their earliest recordings
tracks including their platinum
certified 2011 single “Tongue
Tied,” as well as alternative radio mainstays “C
olours” and “Ways To Go.” (As part of production
team Captain Cuts, Rabin has also produced and/or written tracks for Tove Lo and Jennifer
Lopez, among others.) “Most of our best stuff has come from letting the song dictate the
moment rather than forcing
it into some preconceived sonic space,” says Rabin. “We’ve stuck to
that process because we’re in love with that spontaneity.”
Rabin’s recording technique
“using the studio as a writing instrument, to elevate the song to
where it couldn’t have gone ot
serves Grouplove perfectly on
Big Mess
including “Welcome
To Your Life
” and the anthemic “Do You Love Someone?,” among others.
But the band also wanted to challenge themselves on this album by working with someone new,
and they found th
e ideal partner in Phil Ek, who produced five
Big Mess
tracks and whose
approach in the studio is the polar opposite of Rabin’s. Among indie rock’s most beloved
producers, Ek has worked on albums by Band of Horses, The Shins, Built To Spill and Father
Misty. “Built To Spill’s Keep It Like A Secret
when that record came out, it hit me so
hard,” says Zucconi. “And since then I’ve been a fan of his work. I love the sounds he gets.”
The band previously teamed with Ek to record a song for the soundtra
ck to
Paper Towns
, and
embraced the opportunity to return to his Seattle studio. “
Few producers care so intimately
about every minute sonic element of their production like Phil does,” says guitarist Andrew
Wessen, “and it shows in the warmth of his tones
and the organic clarity of the soundscapes.”
“It was fun to explore stuff with Phil that we hadn’t done with Ryan,” says Zucconi. “Phil is really
known for his guitar tones, and he’d spend hours getting the right tone. We started calling it
‘Tone Questin
g.’ It became a running joke in the studio. We even bought tunics and swords and
made Phil wear a cape, and got a chainmail shirt for his assistant Cameron to wear. We found
this really funny
medieval song we’d play while we were killing time to make ever
yone laugh.”
Of the songs recorded in Seattle with Ek, Hooper points to “Traumatized” as her favorite. “It has
kind of a raw, Nirvana feel to it
which I really like,” says Hooper, who wrote the song with
in their LA home. “The lyrics discuss realizing what our parents gave up so we could
become what we’ve become, and how much they’ve sacrificed,” she says. “When you’re an
artist, you’re stuck in this interesting
like state, but I wrote that song in
a moment of
understanding that we were gonna have to pull it together to raise a family.”
Grouplove unanimously cite the haunting, cathartic “Enlighten Me” as a linchpin moment on the
album. Lyrics such as “I don’t feel my life is real / I’m on the fenc
e with common sense,” capture
a sentiment all five members of the band felt a personal connection to, even though the words
and song were written by Zucconi. Says Wessen: “T
his album embodies the headspace that we
all collectively share as band mates, as n
ew parents and as human beings. I think these songs
have a shared consciousness that we've never been able to capture as a band.”
“It’s a real rare thing, how we came together,” says Zucconi, reflecting on what keeps
Grouplove’s outlook so positive, even
after all they’ve experienced and accomplished. “There
was this energy we had all been looking for, for years before we met. And it came together so
effortlessly with this group of people. It’s still totally there and happens whenever we play
shows. The e
nergy is even stronger now. We all bring out the best in each other musically, and
it helps me to grow and become a better person, being around the vibe of this band.”

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Event Location


The Republik

1349 Kapiolani Blvd 3rd floor, Honolulu, HI, 96814