Chris Knight @ HI-FI

CHRIS KNIGHT W/ MIC HARRISON @ HI-FI INDIANAPOLIS

DOORS: 8:00 PM, SHOW: 9:00 PM

GENERAL ADMISSION, LIMITED SEATING.

AGE RESTRICTIONS: 21+

ALL TICKETS ARE NON TRANSFERABLE AND NON REFUNDABLE. SUPPORT ACTS ARE SUBJECT TO CHANGE.

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About Chris Knight:

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“It’s hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I’ve written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody’ is all I write about. Maybe that’s why I was bound and determined to get these particular songs on this album. If people like them, then we’ll be fine. But I wasn’t gonna do it any other way.”

For the past 20 years, Chris Knight has only made music his own way. He’s released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He’s been hailed as “the last of a dying breed…a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he’s hard-earned his reputation as one of America’s most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career.

Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it’s unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It’s an album both tough and tender, as bare-knuckled as it is open-hearted. “I do think there’s a cohesiveness to this album,” Knight explains in his thick Kentucky rasp. “The title is key, I suppose. Through all these songs, you could find a theme about seeking shelter.”

With the release of Almost Daylight, this native son of Slaughters, Kentucky (population 238) is eager to get back on the road and perform these songs for the faithful. Meanwhile, the singer/songwriter who was originally inspired by the likes of Prine and Earle now finds himself influencing a new generation of artists who revere Knight’s idiosyncratic talent and attitude. “There’s all kinds of different ways to make music, but this is the way I chose to do it,” Chris says. “If I don’t have something worth saying I’m not opening my mouth, which is probably why I took seven years to make this album.” And for an artist who has always defied expectations, Chris Knight’s next chapter indeed feels like the dawn of a new day. “I haven’t suited everybody, but every time I get a new fan it tells me I’m doing something right,” he says. “I think my previous records have set a precedent, if only for me at the very least. I just want people to think this one stands up to everything else I’ve done.”

About Mic Harrison:

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I’d rather see Mic Harrison and the High Score perform than just about any band on the planet.

That’s not just because Mic and the guys have a couple of road cases full of great songs or they’re journeyman musicians who’ve been a part of some of the best bands to come out of the South. It’s because every time I go to a Mic Harrison and the High Score show, I know I’m going to walk in and see guys who look like they’re having so much fun on stage that it can’t help but spill out into the audience. I know I’m going to walk out at the end the night feeling better about the world with great rock ‘n’ roll and honky tonk songs playing over and over in my head.

Lead singer and rhythm guitarist Mic Harrison, lead guitarist Robbie Trosper, bassist Vance Hillard, guitarist Kevin Abernathy and drummer Don Coffey, Jr., have a chemistry that can only come from long term friendships and shared experiences. Harrison, who started his young adulthood working in a saw mill in Bradford, Tenn., a town so small it barely shows up on the map between Memphis and Jackson. He moved to Knoxville in the 1990s to become co-lead singer-songwriter (with Scott Miller) in The V-Roys, a band that defined “Americana” before it was genre. After that group split, he teamed with Trosper in the short-lived favorites The Faults and, later, teamed with Coffey in the now legendary power pop act Superdrag.  When Superdrag ended, Harrison enlisted established Knoxville rock act The High Score to back up a tour and the chemistry was so good that the partnership never ended.

 In the past 12 years or so, Mic and the guys have traveled the country, performing at festivals from Bonnaroo to Easyriders Rodeos, headlining bills from concert halls to the stickiest bars, opening shows for everyone from Billy Joe Shaver to Huey Lewis and the News to ZZ Top, and recording a terrific single with classic country singer Con Hunley.

I’ve been lucky enough to experience Mic Harrison and the High Score perform about 50 times. I expect to see them at least 50 more. In the world today, you need something that’s guaranteed to make you feel good that won’t hurt you – aside from a little soreness from swaying and dancing.

I consider Mic Harrison and the High Score mental health food.

– Wayne Bledsoe

Longtime music writer, host of WDVX-FM’s “All Over the Road” and “The 6 O’Clock Swerve."